So when my film career took off, I always felt like I was trying to play catch-up because I hadn’t studied acting before. I didn’t know how to manage money or my career. When I look back, I think I was a little bit shell-shocked.

Of course, I’d like to produce and direct a blockbuster, but you gotta build up to that. So now I’m learning from a bunch of little movies. And it’s more fun with smaller pictures. It’s more creative.

I love really crappy carnivals, where you think the ride is going to break. There’s something so seedy about them.

I think it’s really hard to understand the depths and the power of the love that someone has for their children unless you really have children.

Usually, you don’t really end up lifelong buddies with your co-stars.

One thing the futurists never get right, though, is that the extreme desire for polyester only lasted a brief period in the ’70s!

It’s actually shocking to me how hard it’s been to get back into the movie business.

It’s hard not to want to strangle people when you work with them for four years.

If I don’t have to act, I’d rather not. I’d rather not act cold. I’d rather actually be cold. That’s my weird way of acting. If the door is supposed to be locked, I’d rather have it locked. But of course, most of the time, we have to act, and that’s okay, too.

I don’t even know how to swim!